We were introduced to film composer Guy Farley in 2015 by his colleague Christopher Slaski, as they worked together on the feature length documentary thriller “A Good American”(2015). Paul orchestrated all the cues for both composers, culminating in a bumper ten hour session day, recording 60 minutes of music at AIR Studios (London). Since then, Paul has orchestrated for Guy on several projects, including all the cues for the epic sonic landscape of Bear Grylls: Endeavour (Live Arena Tour), Anthropoid (2016), Christmas trails for Morrisons and the BBC (2016) and That Good Night (2017, the last movie to star the late, great Sir John Hurt), with John providing music preparation services in each case.
Paul travels to London from Belfast for each session, assisting Guy from the control room, ensuring that the session flows smoothly and providing continual musical feedback, while John is on hand, not only to print and pad up all the music for the orchestra in session from the London office of Studio Orchestrations, but also to deal with any issues arising from a copyist and library perspective.
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